Kalika Mata Temple

According to mythology, during Daksha's yagna (sacrifice) Shiva was the only god who was not invited. Sati could not bear the insult to her husband and she plunged into the the sacrificial fire. Shiva was furious and carrying Sati's body danced the Tandava or dance of destruction. All the gods in desperation requested Lord Vishnu to stop this destruction. So  Vishnu using his weapon the Sudarshana Chakra cut Satis body into several pieces.Wherever a part of her body fell became a Shakti Peetha. At all the Shakti Peethas, the goddesses' consort is Bhairava ( Shiva )

It is belived that in this Hindu temple Sati's toe fell. This temple consists of three images of the Goddess.  Goddess Kalika Mata in the centre, flanked on the right by Kali  and on the left by Bahucara Mata. In this Indian temple there is a separate shrine for Sadanandsha Pir, a Muslim saint who is worshipped by the local people.On Chitra Pournami a great fair is held and a huge number of devotees attend.This Hindu temple is one of the famous Shakthi Peethas in India. The temple complex is divided into two parts. The upper shrine is domed like a  Muslim shrine. The ground floor contains the Kalika Mata shrine.Kalika Mata temple history dates back to the 10th century and 11th centuries and hence it is the oldest temple in this region. Originally, goddess Kalika Mata was worshipped by the local Patidar, Koli and Bhil community, until she was later invoked and idol of the goddess was installed by Vishvamitra on Pavagadh hill, where she is worshipped as an incarnation of Goddess Durga or Chandi.

According to a folklore, during Navratri celebration, goddess took the form of a beautiful woman and danced in a Garba. The king saw her with a dirty look. She tried hard to explain to him who she was but the king did not listen. Goddess Kalika became angry at King and cursed him that the town will destroy. Later, the king of Khandesh (Jalgaon), Maharashtra invited goddess to come at Khandesh and stay there.

Kalika Mata is also worshipped by the local Adivasi community. The temple is believed to be the residence of Goddess Kali and is one of the Shakti Peethas. Legend says that Kalika Mata Temple is the site where the toe of goddess Sati had dropped after being chopped by Lord Vishnu’s Sudarshan Chakra.

 The temple is prime pilgrimage centre in Gujarat which attracts large numbers of devotees every year. Devotees visit the temple and "worship Kalika Mata by beating bell-metal symbols. A fair is held every year at the temple on Chaitra Sud Ashtami. On the full moon of Chaitra month and on the occasion of Dussehra, thousands of devotees throng the temple to seek blessings of Kalika Mata.This is the sacred place to visit in the Ratlam. The local peoples have great believe on the deity because the goddess helps to fulfill the desires of its devotees. The idol of Kalika Mata is very beautiful standing in front of the idol will fill you with the sense of power or ‘shakti’ into your soul. There is huge crowd of devotees in the temple on the nine days of the navratri. A big fair is also held in and around of the temple premises. Inside the temple there are 3 Goddess and the middle one is the most gorgeous and impressive. This is the most visited place in the Ratlam. The kalika mata is the kuldevi of the many tribes of this district. So the effect of this deity is very much in the local region of the Ratlam.This temple is situated near Rambagh or cremation ground of Ambala and has 6-feet tall statue of Kali Mata installed here. The temple has been decked up with figurines of birds and animals and these depict the culture of the medieval times.By the name, it indicates that the temple is made for goddess Kali. The temple is the oldest one in the area and dates from the 10th to 11th centuries. As the temple is located in India, where people blindly worship their gods, the temple receives hundreds and thousands of Hindu pilgrims year round. Hindu pilgrims are visiting this temple from past many years, even before the development of Champaner as a foremost city. To reach to the summit and worship at the temple, you need to walk for five kilometres along the jungle footpath towards the top of the hill. Or else, to reach the summit a cable car is operated all the time that will pull you until the summit.

The cable car functions from the midway point and is the last place that could be accessible by road. The temple boasts huge fortifications as well as an open veranda that could be found in the front along with two different altars for sacrifices. Besides this, a chain of lights makes the place more beautiful that are used for special occasions. Inside the sanctum, the idol of Kalika Mata could be found with only head called as the Mukhwato and is painted in red color. The temple also has full idols of Mahakali; own form of goddess Kali, as well as yantras of Bahuchara. While exploring this temple, you will be fascinated to see the views from the top. Watching down from the top, you will be amazed of the greenery around with smog all around.Set at the top of the Pavagadh Hill, the Kalika Mata Temple is an amazing religious destination, where pilgrims visit from far and near. The temple overlooks the other-worldly scene that highlights the city of pre-Moghal Empire and offers great sights to explore. Kalika Mata Temple is located in Vadodara, India, and is situated 762 metres above the sea level.Today, the temple has become a well-known tourist destination of India, where attractive sights and beautiful ancient temple structure, both rejuvenates people visiting here. Down the hill, there is one more temple that is bordered by a river and gives spectacular reflections of the temple and the hill. As the site receives huge amount of pilgrims, it is well managed to safeguard the life of people. At the top, the temple is bordered with railings so that while looking down one can take the support of the railings and do not go beyond it. Traveling through the cable car will offer you amazing viewing opportunities and you could hardly see the world outside, as it is blocked by the smog. If you explore the place at morning, the site is entirely filled with rising smog and beautiful scenery around.

The temple remains open from very early to quite late at night, as pilgrims from far and close visit the temple and worship the goddess Kali. While traveling for long, people get exhausted and so they need a place to take rest and lie down. This need is fulfilled by the Machi Haveli. Machi Haveli is actually the rest house, which remains available for pilgrims. At the site, you will get everything, which was earlier not available whether it is the rest house, or a shop, or the facilities like cable car. In fact, the route made to climb the top of the mountain was also not made properly, as it is available today.

This ancient temple is a great example of early architectures. So do not miss any area of this site, as all of great importance. You can reach at this destination by road. From Vadodara, you can drive for 45 kilometres to reach Champaner. Take a bus or any private vehicle to reach to your destination. Well, the best option to reach to this temple is by hiring a car from Vadodara to Champaner to Pavagadh. While driving all the way, the scenes around will fascinate you a lot.The presiding deity of this temple is Goddess Kalika Mata, who is red in color, portrayed in the form of a head called as mukhwato and she is worshipped as a form of Goddess Durga. Kalika Mata Temple contains three main deities:

1. Goddess Kalika Mata, the main deity (central image)
2. Goddess Kali, to the right Goddess Kalika Mata
3. Bahucharamata, to the left of Goddess Kalika Mata

Kalika Mata Temple is said to be one of the Adi Shakti Pitha Temples. The Shakti Pitha is a place of worship to goddess Shakti also called goddess Sati, the main deity. It is said that the four major Shakti Pithas are created from the limbs of Goddess Sati‘s corpse. Apart from the following four Shakti Pithas, there are 52 other famous Pithas found from the religious books. The body part or ornament of Goddess Shakti that fell to the earth, is the place where the Adi Shakti temples are built. And it is said that the toe of goddess Sati have fell at this place, where the Kalika Mata Temple has been built. It is the oldest and the most celebrated temple in the vicinity of the Champaner-Pavagadh Archaeological Park .A long flight of steps leads one to this temple as it is located at a cliff at quite an altitude in between the dense forests near Halol.

As one enters the temple, one can see large representations of three Goddesses staring at them in all their might. The one in the centre is that of Kalika Mata, the left one gives an image of Bahucharamata and the one of the right gives us a glance at Goddess Kali.

Rameshwaram

The temple and the island of Rameswaram have acquired this name because, Lord Rama worshipped Lord Shiva, the God of Gods here on return from Sri Lanka. According to legend, after killing Ravana Lord Rama returned with his consort Goddess Seetha to India first stepping on the shores of Rameswaram. To expiate the "dosha" of killing a brahmin, Lord Rama wanted to offer worship to Lord Shiva. Since there was no shrine in the island had despatched Sri Hauman to Kailash to bring an idol of Lord Shiva.

•      Between 1897 and 1904, the ALAR family of Devakottai completed the imposing eastern tower of nine tiers 126 feet in height from Thiruppani funds. Between 1907 and 1925 they renovated the Sanctum Sanctorum and the prakaram(inner most corridor) by replacing the lime stones by black granite with adequate provision for light and ventilation and also arranged for the performance of Ashtabandana Kumbabishekam in 1925; then on 22-2-1947 and the third Ashtabandana Maha Kumbabishegam was performed on 5-2-1975.
•  During the construction of first corridor, it was decided to renovate the second corridor. The lime stone structure in Second corridor was dismantled and started granited stone work. But only compound wall in west side and one portion in north side of western wing in south gate was renovate. After that no Renovation work as done.
•      Therefore, it was proposed to complete the Renovation work of Second Corridor by collecting Funds from the public. Between 1961 to 1985, the Renovation work of Second Corridor was taken up and completed the western side of Second Corridor and a portion in North and South side, from the Temple Renovation Fund. Now it has been proposed to complete the Renovation of Second Corridor which has been unfinished and the Renovation work is started now.

     The Sethupathy mandapam in front of the Temple’s Raja Gopuram9main Tower) was constructed by Ramanatha Sethupathy, a descendant of Ramnad Raja dynasty, with his own donation of Rs. 2,75,000 /-. This construction was started on 19-11-69 and completed on 11-2-74.     It is also most essential to construct the North and South Gopurams. Shri Jagadguru Sringeri Peedathipathy and Shri jagadguru Kanchi Kamakoti Peedathipathy have given their kind blessings for the constructions of the North and South Gopurams of the Temple.Adi Shankaracharya propagated the idea of Hinduism through Advaita Vedanta and the town of Rameshwaram stands as a testimony of his faith. One of the four pilgrimage places, Char Dham of India, it modestly invites followers of Lord Shiva from everywhere to pay visit at least once in their lifetime to the Jyotirlinga installed in the Ramanathaswamy Temple. Vaishnavites are also not left in their devotion to come to this place which is believed to be associated with Lord Rama, incarnation of Lord Vishnu as well.

Located in Ramanathapuram district, the town is a part of Pamban Island also known as Rameshwaram Island being associated with the legendry temple built in marvelous Dravidian style of architecture. Situated at the very tip of the Indian peninsula, the island is connected with Indian mainland by Pamban Bridge on Pamban Channel in Gulf of Mannar.

A visit to Varanasi in Uttar Pradesh is not considered complete in terms of pilgrimage if not coupled with a trip to Rameshwaram which is said to be the Varanasi of South. Welcome to the charm that devotees come to associated with an abode of God irrespective of the place it belong to.The town has been changed many hands; main amongst them were Cholas, Jaffna Kingdom, Allaudin Khilji (Malik Kafur), Pandya Dynasty, Vijayanagara Empire, followed by some other rulers who ruled the town for a very short while before British East India Company directly took over it and made it a part of Madras Presidency.

The Rameshwaram Temple which is the main reason the town is known to every other person following Hinduism, Lord Shiva and Lord Vishnu is said to be built by Sethupathis of Sethukavalan - custodian of the legendary bridge built by Lord Rama when he crossed the sea to reach Lanka (now Sri Lanka) the place in the control of Demon King Ravana, also a Brahman.

Rameshwaram is believed to be the place from where Lord Rama started his journey to get his wife Sita back from Ravana and the Lord was helped by 'Vaanar-Sena' army of legendary monkey-humans and served by Hanuman, Lord Ram's paramount devotee. Also, many later versions of Ramayana testify of installing a ShivaLingam by Shri Ram and Devi Sita to worship Lord Shiva as a part of penance for Brahmahatya - killing of Brahmana, Ravana who was himself a well-known staunch follower of Lord Shiva. The Rameshwaram Temple, built in 12th century is believed to have the same Shiva Lingam.

The bridge to Lanka named 'Rama Set u', also known as Adam's Bridge is of religious as well as ecological importance. Some 30 Km long, it was supposed to be passable on foot till 15th century after which a storm deepened the channel.Tirtham: Various temples were erected to honor those who had a left a lesson to learn from the epic of Ramayana and that includes-

• Agni Tirtham - A large lake and 22 wells with unique-tasting waters make it an important pilgrim place where they believe to get cured by the curative properties.
• Ram Tirtham (Gandamadana)- worshipped by many communities of south India.
• Lakshman Tirtham - Built inside Rameshwaram to give the brother of the Lord the place he rightly deserved helping his brother in the holy war against Ravana.
• Jatayu Tirtham - Commemorates the memory of Eagle God who assisted Lord Rama in his fight for Devi Sita.
• Kaveri and Jada Tirtham - A place is meant to worship for god Kapardikeshwar and a Peepal tree representing all the deities.1. Lord Rama who was the protagonist of Ramayana offered prayers to Lord Shiva at the very location of the Rameshwaram Temple.
  2. Also known as Ramanathaswamy, this temple is often regarded as ‘the Kashi of the South as it is equally significant.
  3. Rameshwaram Temple is one of the 275 Paadal Petra Sthalams, which are the holiest locations relating to Lord Shiva around the world.
  4. It is a unique temple as it is highly revered by both the Vaishnav and Shaivaite sects of Hinduism. Lord Rama had built the Rama Setu from here. It is the famous bridge which he walked upon to reach Lanka.
  5. After his victory in Lanka and Ravana’s downfall Rama returned to Rameshwaram to rest and worship Shiva to absolve the sin of killing Brahma’s grandson i.e Ravana.
  6. Lord Rama had instructed Hanuman to bring the famous Shivling from Kailash for worship. This pooja had to be done within an auspicious time period and Hanuman didn’t return quick enough. So Sita made a Linga out of sand which is known as the Ramalingam. But the Vishvalingam that Hanuman brought is always worshipped before the Ramalingam. The same tradition continues even today.
  7. The temple as it stands today was envisioned by the rulers of the Pandya Dynasty in 12thcentury CE. It has some of the longest corridors of any Indian temple and according to some experts; it also represents the Panchajanya conch shell of Lord Vishnu.
  8. Rameshwaram is also one of the Char Dhams (four holiest shrines) of Hinduism along with Badrinath, Dwarka and Puri.Rameswaram Temple is spread over an area of 15 acres and has lofty gopurams, massive walls and a colossal Nandi. Rameswaram Jyotirlinga also boasts of a 4000 feet long pillared corridor with over 4000 pillars, supposedly the longest in the world. The carved granite pillars are mounted on a raised platform. Worth noticing fact about this corridor is that the rock is not indigenous to the island and is said to have been brought in from elsewhere in Tamil Nadu across the sea.
  The eastern Rajagopuram towers to a height of 126 feet and has nine levels. The Western Rajagopuram is also quite impressive though not as tall as the Eastern one. The temple also has several mandapams with mini shrines to other deities. There is a huge Nandi measuring 12 feet in length and 9 feet in height with the idols of Viswanatha Naicker and Krishnama Naicker. The lingams are housed in the inner section of the Ramalingeshwara. High walls enclose the temple, forming a rectangle with huge pyramidal gopura entrances on each side.According to a popular legend, it was Lord Rama who installed this Linga here. Story goes that when Lord Ram was on his way to attack Ravana, he reached this place where he made a linga of sand and worshipped it. It is said that when Lord Rama was drinking water on the seashore there was a celestial proclamation - "You are drinking water without worshipping me". Listening to this Lord Rama made a linga of sand and worshipped it and asked to be blessed so that he could vanquish Ravana. Lord Shiva blessed him accordingly. He also requested Lord Shiva to reside eternally here so that entire mankind should benefit from it. Shiva then manifested himself as the Linga and got installed there for eternity.
  According to yet another legend, while returning to Ayodhya, Ram worshipped Lord Shiva in the form of a Shiva Lingam made of earth by Sita. It is said that Hanuman was entrusted with the task of bringing an image of Viswanathar from Banaras. Anticipating delay in Hanuman′s return from Benares, Rama offered worship to a Shivalingam at a pre-chosen auspicious moment. This lingam is referred to as Ramalingam and the town is known as Rameswaram.
  There is yet another Shivalingam here - Viswanathar said to have been brought by Hanuman from Banares. This Shivalingam is referred to as Kasilingam and Hanumalingam. Prayers are offered to Viswanathar before they are offered to Ramanathaswamy.Itis one of the most famous Shiva shrines in India. It is significant for Hindus as a pilgrimage to Banaras is incomplete without a Pilgrimage to Rameswaram. According to the legend, Rameswaram is the place from where Lord Rama, built a bridge across the sea to rescue his consort Sita from Ravana. This is also the place where Rama worshipped Lord Shiva to cleanse away the sin of killing Ravana. Both the Vaishnavites and Shaivites visit this pilgrimage which is known as the Varanasi of South. Rameswaram along with Dwarka, Puri and Badrinath form the four Char Dhams.
  
  Sri Ramanathaswamy Temple, Agnitheertham, Gandamadana Parvatham, Dhanushkodi, Kothandaraswamy Temple and Erwadi are the popular and the most visited pilgrimage attractions . Sri Ramanathaswamy temple (Rameswaram Temple) is one of the most fascinating temples in entire India. This is renowned for its magnificent corridors and massive sculptured pillars. The third corridor of Ramanathaswamy temple is the longest one in the world. The presiding deity here is in the form of a Linga with the name Sri Ramanathaswamy, it also happens to be one of the 12 Jyotirlingas. This temple stands as an epitome of Dravidian architectural style of the medieval ages.
  
  There are about 64 thirthas situated in Rameshwaram, of which, 24 are considered as important. Bathing in these Tirthas is a major aspect of the pilgrimage to Rameswaram and is considered equivalent to penance. Twenty-two of the Tirthas are within the Ramanathasvami Temple. Ramanathapuram, Tirupullani, Uthirakosamangai, Sethu are the nearby attractions to Island of Rameshwaram. Beautiful beaches at Olaikuda, Danushkodi and Pamban are other attractions apart from the religious point of view. Scuba diving and Migratory birds watching during winter are the activities here.
  
  Rameshwaram is located on the Pamban Island, which lies at the very tip of the Indian peninsula in the Gulf of Mannar. Pamban Island, which is separated from the mainland of India by the Pamban Channel, is connected by the Pamban Bridge or Annai Indira Gandhi Bridge. 

Lingaraja Temple

Lingaraj Temple is believed to be the oldest and largest temple of Bhubaneshwar. The temple of Lingaraja is highly revered by the followers of Hinduism. Located at Bhubaneshwar in Orissa, Lingraj Mandir is easily accessible from the city. The term 'Lingaraj' suggests 'the king of Lingas', where 'linga' is the phallic form of Lord Shiva. In the 11th century, Lingaraj Temple was built by the King Jajati Keshari, who belonged to Soma Vansh. It is thought that when the King shifted his capital from Jaipur to Bhubaneshwar, he started the construction of Lingaraj Temple. 

This ancient temple has also been referred in the Brahma Purana, a Hindu scripture. Not less than 1000 years old, the present structure of the temple was built in the 11th century. However, there are many parts that are acknowledged to date back the 6th century. Lingaraj Temple is dedicated to Lord Shiva, who is considered as the destroyer as per the Hindu thoughts. It is said that when the construction of Lingaraj Temple was about to complete, the Jagannath cult started growing. This belief is further empowered with the fact that Lord Vishnu and Lord Shiva are worshipped here. 

Architecture
The remarkable structure of the temple gives the tint of Kalinga style of architecture. The aesthetic sculptures look at their apex in this architectural exhibition. Erected in red sandstone, Lingraj Temple has the stone of the darkest shade. The huge temple complex covers the vast lands of Bhubaneshwar in a stretch. The tall spire of the temple extends to the height of 55 meters and literally, dominates the skyline of Bhubaneshwar. The spacious courtyard comprises 50 small shrines that are dedicated to several Gods of the Hindu pantheon. 

All the shrines are safe under the kind fortification made by the massive walls that are carved beautifully with sculptures. One can enter the temple complex through 'Simha Dwara' (the Lion's Gate), where lions flank both the sides, crushing elephants under their feet. An optical effect is produced with the deep cut warped lines that run perpendicularly on the spire. Due to this, the temple looks much larger than what actually it is. Moreover, the spire of the temple has diminutive replicas of itself in the steeples that are incorporated perfectly in the entire structure of the temple. 

Main Shrine 
Actually, the temple is divided into four parts, the Garbh Griha, the Yajna Shala, the Bhoga Mandap and the Natya Shala respectively. In the Garbh Griha (Sanctum Sanctorum), the lingam of Lord Shiva is regarded as 'Swayambhu' (Self-originated) and it is worshipped as both Lord Shiva and Lord Vishnu. On the main entrance, one can see a trident (Lord Shiva) and Chakra (Lord Vishnu) on the either side of the door. The concord of the two sects can be seen here, where the deity is worshipped as Hari-Hara. The term 'Hari' refers to Lord Vishnu and 'Hara' refers to Lord Shiva.

This massive image of 'Linga' appears to be of granite stone. The 'Lingam' is bathed with water, milk and bhang every day. Apart from Garbh Griha, the 'Nata Mandir' provides a hint for its close alliance with the devadasi tradition. Besides the Lingam, the parsva devta adores the site, where Lord Ganesha, Lord Kartikay and Goddess Parvati are placed in different directions. All the images are huge and present an excellent workmanship of the artists. The images are festooned with rich draperies and ornaments. 

Lingaraj Temple depicts the rich legacy of Indian culture and traditions. The colossal temple attracts thousands of devotees and pilgrims to its doorstep every year. The spiritual ecstasy offered by the temple is worth feeling for once.

Bhubaneshwar the capital of Orissa is a city of temples, several of which are important from an architectural standpoint. The Lingaraj temple - the largest of these is an outstanding specimen of the Orissa style of temple building. It is about a thousand years old. 
Bhubaneshwar is also a revered pilgrimage center, referred to in the Bhrama Purana. The Bhrama Purana refers to Bhubaneshwar as the Ekamra Kshetra enshrining a crore Shiva Lingas.The Lingaraja temple is said to have been built first by the ruler Yayati Kesari in the 7th century who shifted his capital from Jaipur to Bhubaneshwar. Bhubaneshwar remained as the Kesari capital, till Nripati Kesari founded Cuttck in the 10th century. Inscriptions from the period of the Kalinga King Anangabhima III from the 13th century are seen here.
Structurally, the Parasurameswara temple at Bhubaneshwar is the oldest, dating back to the middle of the 8th century, and the Lingaraja is temple is assigned to the 10th century. The  nata mandir and the bhog mandir of the Lingaraja temple are of later origin.
Legend has it that Shiva revealed to Parvati that Bhubaneshwar - or Ekamra thirtha was a resort favoured by him over Benares. Parvati in the guise of a cowherd woman, decided to look at the city herself. Two demons Kritti and Vasa desired to marry her. She requested them to carry her upon their shoulders, and crushed them under her weight. Shiva, then created theBindu Saras lake to quench her thirt, and took abode here as Krittivasas or Lingaraja.
The Temple: The vast Bindu Sagar lake is the center around which are located the multitude of temples of Bhubaneshwar.  The Lingaraja temple is located in  a spacious courtyard covering over 250000 sq feet and is bounded by fortified walls. Its tower rises up to 180 feet and is elaborately carved. 
The Shivalingam in the sanctum of the Lingaraja temple rises to a height of 8 inches above the floor level, and is 8 feet in diameter. The Bhagawati temple is located in the northwest corner of the courtyard. There are several other shrines and temples in this vast courtyard.
Worship: A total of 22 worship services are offered each day. Once a year, an image of Lingaraja is taken to the Jalamandir in the center of the Bindu Sagar lake.
Other temples in Bhubaneshwar are the Ananta Vasudeva, RajaRani, Mukteswara, Kedareswara, Siddheswara, Parasurameswara.

Though, it is believed that some parts of the temple was built originally in the 6th century but was renovated and was build in a fully fledged way only in the 11th century. There is also a mention of this temple in the Brahma Purana which is a revered scripture of the Hindu religion. It’s said that while the construction of the temples was on the verge of completion, the jagannath cult started taking its shape and this fact has been testified by the evidence that Lord Shiva and Lord Vishnu are revered here at this templeThe temple is a one among the oldest structures of India and is believed to be a structure which is around 1000 years old. There is a mythological story associated with the temple which tells us that once Lord Shiva explained to his beloved Parvathi, why he favours the city of Bhubaneshwara more than Banaras. Upon hearing the story, Parvathi embarked on the journey to find out a testimony to the fact. So, she took the form of normal female cattle and went out exploring the city. While she was on her journey, two demons came into her way who wanted to marry her. Even after her continuous refusal, they kept on following her and so in order to keep herself safe, she vanished them and set herself free. After the incidence, Lord Shiva created the Bindu Sara Lake in order to bring in eternity to the space.The main temple has been divided into four distinct parts which are Yajna Shala, Natya Shala, Garbh Griha and Bhoga Mandap.

Here the Garbh Griha, the Lingam has been believed to have originated on its own and so is called as Swayambhu and people, therefore worship it both as Lord Vishnu and Lord Shiva. While entering the temple, a trident can be seen, which consists of a statue of Lord Shiva and two statues of Lord Vishnu on both the sides of the entrance gate. The temple is the witness to the concord of two sects and so is revered as Hari-Hara which has a hidden meaning. Hari is for Lord Vishnu and Hara is for Lord Shiva, which combine together to become Hari-Hara. The Lingam here is believed top have been built of granite and is worshipped everyday with milk, water and bhanga. The Nata temple here has some evidences of the Devadas tradition and also here the Parsva devata which include, the statues of Lord kartikay, Lord Ganesha and Goddess Parvati are placed in different direction. All the statues have been aesthetically decorated with beautiful draperies and ornaments. The temple depicts the rich culture of India, where a large number of devotees from different parts of the world come to take the get the whiff of the spiritual ecstasy of the temple.There’s a whiff of the Kalinga style in the structural build of the temple! The temple’s structure is made up of the stone of the darkest shade. The temple is built in vast area in Bhubaneshawara and the height of the temple is around 55meteres. Inside the temple premises are a large number of small shrines dedicated to worshipping several Gods and Goddesses. Beautiful scriptures have been carved onto the walls of the temple and all the shrines over there in the temple are safely built. You can enter into the temple through the lion gate where lions on both the sides of the gate and the lions crushing an elephant have been showcased at the lion entrance. Because of an optical influence the temple looks much larger than what it actually is.A light refreshment known as Ballabha Dhupa is offered to the deity at around 4:30 p.m. At around 5:00 p.m., Dwipahar Dhupa (mid day meal) is offered. At around 7 p.m., another offering called Palia Badu is placed before the deity. Sandhya arati (waving of lights in the evening) is performed during that time. Another light meal called Sahana Dhupa is offered at around 8:30 p.m. After the meals, the ceremony of waving light (arati) is performed before the deity. At 9.30 p.m., the last service of the day, Bada Singara (the great decoration) is performed when the deity is decorated with flowers and ornaments after which a light food offering is made. A wooden palanquin is laid in the room, incense is lighted, drinking water is served and prepared betel is placed. Panchabaktra Mahadeva comes to the palanquin and returns to his own abode after the arati is performed.The Badu are non-Brahmin servant groups, whose origin is not ascertained due to unavailability of authentic records, while they are described as Vadu in chapter 62 of the Ekamrapurana. The caste group of Badu is called Niyoga, which elects the officers every year during the Sandalwood festival. Every Badu undergoes three distinct rites, namely, ear-piercing, marriage and god-touching. Historically, the Badus performed five different temple duties - Paliabadu and Pharaka, which were considered important and Pochha, Pahada and Khataseja, which were considered inferior. From 1962, only Paliabadu and Pharaka practises are followed and the others are discontinued.

Padmanabhaswamy Temple

History

                     The origin of the Temple of Sree Padmanabhaswamy is lost in antiquity. It is not possible to determine with any exactitude, from any reliable historical documents or other sources as to when and by whom the original idol of Sree Padmanabhaswamy was consecrated. The Temple has references in Epics and Puranas. Srimad Bhagavatha says that Balarama visited this Temple, bathed in Padmatheertham and made several offerings. Nammalwar, 9th century poet and one among the 12 Vaishnavite saints of the Alvar tradition, has composed ten hymns in praise of Lord Padmanabha. Some well known scholars, writers and historians, like the late Dr. L.A.Ravi Varma of Travancore, have expressed the view that this Temple was established on the first day of Kali Yuga (which is over 5000 years ago). The legends of the Temple are handed down through the centuries. One such legend which finds a place in the old palm leaf records of the Temple, as also in the famous grantha entitled “Ananthasayana Mahatmya”, mentions that it was consecrated by a Tulu Brahmin hermit named Divakara Muni. On the 950th year of Kali Yuga a reinstallation of the idol was done. In the 960th Kali year King Kotha Marthandan built the Abhisravana Mandapam.

The story as narrated in the Ananthasayana Mahatmya goes as follows.

Divakara Muni was a great Vishnu Bhaktha. While at ‘Aanarthadesa’, he performed deep tapas. One day Maha Vishnu appeared before the sage as a lovely child. The charming child attracted the attention of the sage. He requested the God-child to stay with him. The child made his stay conditional. Accordingly, the Sanyasi should treat him with respect. On failing to do so, he would vanish at once. This was accepted and the child stayed with him. The hermit gave him great care and tolerated the childish pranks. One day, when the sanyasi was in deep meditation at his prayers, the chills took the ‘salagram’ which the sanyasi was using for worship and put it into his mouth and made such a nuisance of himself that Divakara Mini was greatly angered and could tolerate it no further. He thereupon chastised the child. In accordance with the earlier agreement, immediately the child ran away and disappeared from the spot. While going he said, “If you wish to see me again, you will find me again in Ananthankaadu”. It was only then that Divakara Muni realized who his erstwhile child guest had been. The hermit was stricken with inconsolable grief and for many days followed what, he believed was the route taken by the child foregoing food, rest and sleep in the process.

Finally he reached a wooded area near the sea coast, caught a glimpse of the child disappearing into a huge ‘Ilappa’ tree. Immediately the tree fell into the ground and it assumed the form of Sree Maha Vishnu. The divine form had its head at ‘Thiruvallam’(a place about 3 miles from East Fort at where the Temple of Sree Padmanabha Swamy is located) and its feet at ‘Trippapur’ (5 miles away towards the north). Overawed by the majesty and the size of the divine form, which manifested before him, the Sanyasi prayed to the Lord to condense Himself in size so that he could behold Him. There upon the image of the Lord shrank to a size, three times the length of the Sanyasy’s Yoga Dand. His prayers had been granted. He immediately offered a raw mango in a coconut shell(still this offering continues). The Lord ordained that, poojas to Him should be conducted by Tulu Brahmins. To this day half the number of poojaris(priests) in this Temple represent Tulu region.

Another generally accepted version about the origin of the Temple relates it to the famous Namboothiri sanyasi Vilvamangalathu Swamiyar, whose name is linked with the histories of several temples in Southern India. This Swamiyar was also a Vishnu bhaktha. The legend is almost identical with that of Divakara Muni referred above. It is said that, when Sree Maha Vishnu presented himself in the Ananthasayana rupa (in the form of reclining on Anantha) before the sage at Ananthankaadu, the latter had nothing worthwhile to offer Him. From a mango tree standing nearby he plucked a few unripe mangoes and placed them in a coconut shell lying there and in all humility offered it as ‘nivedyam’ to the Lord. Even today salted mango forms a major offering. The original coconut shell has been encased in gold. It has also been the practice in the Temple for the past several centuries that the morning ‘pushpanjali’ is to be performed by a Namboothiri Brahmin sanyasi (designated Pushpanjaly Swamiyar) specially commissioned for this purpose.

                     These traditional customs coupled with the fact that the Pushpanjali Swamiyar holds a position of importance in the ‘Ettara Yogam’ (a committee which, at one time in the distant past, was the governing body of the Temple but has, over the years, become a ceremonial and advisory panel) lend substance and some measures of credence to the theory that this Temple was founded by Vilvamangalathu Swamiyar. On the other hand the legend of the Divakara Muni can be substantiated by the presence of a large number of Tulu Brahmins. Besides being represented in the ‘Yogam’, the Namboothiri Brahmins also have a position of eminence in the rituals and ceremonies of theTtemple . The Tantries(high priests) have always been from the Tharananalloor family belonging to this community. It is also believed that the small Sree Krishna Swamy Temple, located near the Western Swamiyar Madham (residence of one of the two Pushpanjali Swamiyars of the Temple) has been built over the Samadhi of Vilvamangalathu Swamiyar.

Some historians and researchers hold the view that the Thiruvambadi shrine of Sree Krishna Swamy is older than the shrine of Sree Padmanabhaswamy. According to legend the Sree Narasimhaswamy and Sree Sastha shrines were established after the installation of the idol of Lord Sree Padmanabhaswamy. There is mention in the ‘Bhagavatha Purana’ (canto 10, chapter 79) that Sree Balarama visited “Syanandoorapuram” or “Ananthasayam” (Thiruvananthapuram) in the course of His pilgrimage. Similarly in the ‘Brahmanda Purana’ also there is a reference to “Syanandoorapura”. These references show that this Temple is of great antiquity and has been held in veneration over the centuries as an important seat of Sree Maha Vishnu. The compositions of Nammalvar, the great Vaishnavite saint, in praise of Sree Maha Vishnu of this city, prove beyond doubt that this Temple existed in the ninth century of this era. In the year 1050A.D.(225ME), the Temple was reconstructed and the management re-organized by the then ruler.

The next important recorded events relate to the period between 1335 A.D. and 1384 A.D. when Venad was ruled by a powerful and wise king named Veera Marthanda Varma. He gradually established his authority completely over the management and administration of the Temple. There are records to indicate that in the year 1375 A.D. the Alpasi Utsavam (ten days festival held in October-November) was conducted in the Temple. Some of the important events relating to the Temple which took place after the demise of this ruler until 1729 A.D. are given below.

                     Between 1459 A.D. and 1460 A.D. the idol of Sree Padmanabhaswamy was removed to a ‘Balalaya’ for the purpose of re-construction of the roof of the sanctum sanctorum.

                     In 1461 A.D. the idol was re installed and an Ottakkal Mandapam (Single granite stone slab abutting the sanctum sanctorum) was put up.

                     In 1566 A.D. the foundation was laid for the Gopuram (pagoda) over the main eastern entrance.

                     In 1686 A.D. the Temple was almost fully destroyed in a major fire accident. Work on the re- construction of the Temple was started only in 1724.

                     In 1728 A.D. propitiatory ceremonies, connected with the serious fire of 1686, were conducted.

It was in the year 1729 that the great ruler Marthanda Varma became the king of Travancore. He took the steps to renovate the Temple. In 1730 the idol was again moved to ‘Balalaya’ prior to the renovation and reconstruction of the sanctum sanctorum. It took two years for completion. The old wooden idol was replaced by the one that we see today. Made of highly complex amalgam known as Katusarkarayogam, it contains 12008 Salagrams within it. Most of what is seen today within the walls of the temple were constructed. It is recorded that 4000 sculptors, 6000 labourers and 100 elephants worked for a period of 6 months to finish the construction of the sreebalippura (the oblong corridor). This magnificent rectangular corridor built of solid stones protects the Deities during seeveli on rainy days. The gopuram for which the foundation had been laid in 1566, was built during this period. Similarly the flag-staff in front of the main shrine was also erected at this time. Teak wood of required size was brought from the forest for this purpose and transported to the Temple in such a way that no part of the wood touched the ground. The pole was then covered completely with gold sheets. The renovation of the Temple tank, the Padmatheertham, including the flight steps and its completion in the form we see it today was also undertaken during this great ruler’s time.

Fifth Makaram 925ME, 19th or 20th January 1750AD, stood witness to the act of a sublime dedication and the ultimate offering possible for a crowned head – the Thrippadi Danam. After the completion of certain religious ceremonies Maharaja Anizham Thirunal Marthanda Varma arrived in the Temple along with the male family members, his trusted Diwan and other officials. In presence of the Swamiyar, members of the Yogam and Brahmins the Maharaja submitted to Sree Padmanabha Prajapati, his entire State of Travancore along with his total right on it thereof by placing the Crown, the royal umbrella, the twin white Chauries (fans), the Manikandha – which were all symbols of royalty, along with some thulasi leaves on the Mandapam. Last but most significant, he placed his famous sword (the unquestioned insignia of sovereign authority which the King valued the most and which had lashed its unleashed velour in countless battle fields) in the steps of the Ottakkal Mandapam. Even before this, that the male members of the royal family, at the age of one, ware laid on the Ottakkal mandapam and surrendered to Sree Padmanabhaswamy as His own, gaining the supreme title ‘Sree Padmanabha Dasa’.

In 1758, during the reign of Sree Karthika Thirunal Rama Varma, the fabulous Kulasekhara Mandapam was build. It is a marvelous and fantastic architectural work on stone. It is also known as Aayiramkal Mandapam and Sapthaswara Mandapam. It is supported by 28 balustrades of pillars. The pillars on the four corners can produce musical notes when taped.

In 1820 a very big mural mirroring the Ananthasayanam, which is termed as the biggest in the temple murals of Kerala, was drawn during the period of Rani Goury Parvathi Bayi.

Among the rulers of the erstwhile Travancore Maharaja Sree Chithira Thirunal Rama Varma ranks as one among the most illustrious royal personalities, who ruled in his dual capacity as Dasa and Ruler. He ruled as a Sage among Kings. The Kshethra Praveshan Vilambram or the Temple Entry Proclamation was in 1936 which was the epoch-making event of the Maharaja’s religious and political life. This Proclamation, issued on the eve of his twenty forth birthday, has been considered by evaluators as the most socially progressive and religiously liberal ordinance enacted in India. It was a revolutionary and courageous action initiated for the first time in the country towards the eradication of untouchability. The rest of India followed his footsteps.

Both the Thrippadi Danam and the Kshethrapraveshana Vilambaram made history and stand out by themselves as lasting tributes to the vastness of heart and sublimity of conception of those who visualized them.

In 1991, after the demise of Sree Padmanabha Dasa Chithira Thirunal Rama Varma, Sree Uthradam Thirunal Marthanda Varma assumed charge of the Sree Padmanabhaswamy Temple. In compliance with the sanction already accorded by Sree Chithira Thirunal, Sree Uthradam Thirunal conducted the Kodi Archana in the Sree Padmanabhaswamy Temple. In 1992, Maharaja Sree Chithira Thirunal’s personal worship idols were installed inside the Temple premises.

The mass chanting of Sahasranama was newly introduced on public request. The gold covering of the main Balikkal which was started two years before was completed in 1993. Playing of the percussion instrument known as ‘Edakka’ re-introduced in 1994. Another important work of that year was the gold work in the narrow window-like part at the feet of the Lord on the northern side of the outer wall of the sanctum. The Murajapam and Lakshadeepam were also conducted in the Temple in the grand manner which occurs once in six years. The last Lakshadeepam celebrated in 2008 and the next falls on 2014.

Somnath – Gujarat

Shree Somnath is first among the twelve Aadi Jyotirlings of India. It has a strategic location on the western coast of India.

Ancient Indian traditions maintain a close relationship of Somnath with release of Chandra (Moon God)from the curse of his father-in-law Daksha Prajapati. Moon was married to Twenty-Seven daughters of Daksha. However, he favoured Rohini and neglected other queens. The aggrieved Daksha cursed Moon and the Moon lost power of light. With the advice of Prajapita Brahma, Moon arrived at the Prabhas Teerth and worshipped Bhagvan Shiva. Pleased with the great penance and devotion of Moon, Bhagvan Shiva blessed him and relieved him from the curse of darkness. Pauranic traditions maintain that Moon had built a golden temple, followed by a silver temple by Ravana, Bhagvan Shree Krishna is believed to have built Somnath temple with Sandalwood.

The research based on ancient Indian classical texts show that first Somnath Jyotirling Pran-Pratistha was done on the auspicious third day of brighter half of Shravan month during the tenth Treta yug of Vaivswat Manvantar. Swami Shri Gajananand Saraswatiji, Chairman of Shrimad Aadhya Jagadguru Shankaracharya Vedic Shodh Sansthan, Varanasi suggested that the said first temple was built 7,99,25,105 years ago as derived from the traditions of Prabhas Khand of Skand Puran. Thus, this temple is a perennial source of inspiration for millions of Hindus since time immemorial.

The Moon God is said to have been relieved from the curse of his father-in-law Daksha Prajapati by the blessings of Bhagvan Somnath. In the Shiva Purana and Nandi Upapurana, Shiva said, `I am always present everywhere but specially in 12 forms and places as the Jyotirlingas`. Somnath is one of these 12 holy places. This is the first among the twelve holy Shiva Jyotirlings.

The later sources of history account for several desecrations by Muslims invaders during eleventh to eighteen century A.D. The temple was rebuilt every time with the reconstructive spirit of the people. The modern temple was reconstructed with the resolve of Sardar Patel who visited the ruins of Somnath temple on November 13 1947. Then President of India, Dr. Rajendra Prasad, did the Pran-Pratistha at the existing temple on 11 May 1951.

Other spots in the temple are Shri Kapardi Vinayak and Shri Hanuman Temple in addition to Vallabhghat. Vallabhghat is a beautiful sunset point. The temple is illuminated every evening. Similarly, the Sound & Light Show “Jay Somnath” is also displayed every night during 8.00 to 9.00, which allows the pilgrims an ethereal experience in the backdrop of grand Somnath temple and the holy wave sounds of the Ocean.Ahalyabai temple is also close by, which was built by the queen mother Shri Ahalyabai Holker during 1782. This temple maintained the Pooja Parampara of Bhagvan Shiva during the hostile political conditions.Somnath - this temple town has a long and chequered History. Even though it is referred to by several other names, names it acquired in the various phases of History, the name Somnath is unrivalled as far as popularity is concerned. And understandably so because this small town would have faded to oblivion but for the presence of the magnificent Somnath Temple from which it receives its best known name.

Deo Pattan, Prabhas Pattan, Pattan Somnath (some of the other names of this sea side town in Gujarat, India) would have all been erased from public memory. But instead of that this place has made a distinctive place for itself primarily because of this brilliant structure. The History of Somnath (as in referring to the city) is so completely dominated by the History of Somnath Temple that it would not be exaggeration in the least to say that they are synonymous.

Not much is known about the early History of Somnath temple. However it is popularly believed that the first temple existed even before the commencement of the Christian era. The second was built in the period 480-767 A.D. by the Vallabhi kings. This was again replaced by the Pratihara king Nagabhattta II in 815 A.D.

 

The Somnath temple which enshrines one of the twelve Jyotirlingas was so highly revered that people from various nook and corners of the country came to offer their prayers here.

As many as 2000 Brahmin priests were engaged in temple activities and the revenue collected from ten thousand villages were used for its maintenance. Prayers were announced by ringing the bell which was attached to a golden chain. Its walls were nothing less than pages of History. The exquisite sculptures were a reflection of the times and the pillars even had the names of the sculptors carved on them.

Unfortunately what happened in the year 1025 was a very unfortunate event in the Somnath temple history. Muhammad of Ghazni invaded the city and in spite of the valiant resistance put up by fifty thousand Shaivites, the temple was looted and razed to the ground. What was regarded as an architectural masterpiece was demolished brutally.

King Bhima of Gujarat and King Bhoja of Malwa then took upon themselves the noble task of renovating this fine edifice in red sandstone. However it was fated to be destroyed once again by Alaf Khan in 1300 A.D. This time King Mahipala belonging to the Chudasama dynasty renovated it.

Thereafter also the History of Somnath is punctuated with episodes of destruction and reconstruction at various points of time in the 14th, 15th and 16th centuries. Finally the temple was once again ruined in 1706 by Mughal Emperor Aurangzeb. After that more than two hundred years passed before Sardar Vallabhbhai Patel finally took upon himself the responsibility of constructing it once again in the year 1947. Much to the glory and pride of not just Somnath but of the whole of India this stunning temple was once again reincarnated. Presently this "Shrine Eternal" is visited by a large number of pilgrims as well as by common tourists. So without further delay you too can plan your Tour to Somnath to witness this majestic temple.During olden times if extended to the present Sun temple Sheetla. It's still evident from the temple of Sun God Nagradil the population of which was known as 'Nagrapur'. Here the rivers Triveni Ganga and Hiranya Sarita had stone lined banks or ghats. Archeological explorational excavation carried out several years ago had discovered pre-vedic era specimens.

Archeological examinations have concluded, beginning, rise and fall of more than 500 civilizations. According to historians, during prehistoric times the place was populated by a non-Aryan race called 'Meenur'. From here goods were traded between several Asian ports, both exporting and importing their.Somnath Temple is a significant temple, comprising one of the twelve Jyotirlingas of Lord Shiva. Located in Prabhas Kshetra near Veraval, Somnath Mandir falls in Saurashtra region that lies on the western coast of Gujarat. The temple of Somnath can be easily reached from anywhere in Gujarat. Bus services to Somnath are available from all the cities and towns of Gujarat. To ensure a comfortable journey, one can also opt for taxis that can be hired throughout the state of Gujarat. 

Somnath Temple stands as a symbol of rich cultural heritage of India. The mention of this ancient temple has been made in the scriptures like 'Rig Veda' of the Hindu origin. The term Somnath suggests 'the protector of Moon God'. Lord Shiva is depicted here in the form of a Jyotirlinga (linga of light), as the protector. The incredible temple of Somnath is called as 'the Shrine Eternal' since, the temple has been shattered for not less than six times and every time, it has been reconstructed. 

Legend

Somnath Temple has a legend behind its establishment. It is believed that Lord Chandra (Moon God) was very proud of his beauty. Due to this reason, he was cursed by his father-in-law Daksha, to get smaller. In order to get rid of this curse, Moon God prayed to Lord Shiva at Prabhas. Lord Shiva became happy with the penance of the Moon and reduced the curse to an extent. This incident led to the periodic waning of moon.

Maintaining the original site, the present temple is said to have built for the seventh time. The first temple of Somnath is regarded as a structure in Gold, made by Moon God himself. In the 7th century, Somnath Temple was reconstructed by Maitraka kings of Vallabhi in Gujarat. The second structure was destroyed by the Arab governor of Sind by the name of Junayad in 725. Again in 815, the third structure was built by Nagabhata II, who was a Pratihara King. 

This structure was erected out of red sandstone. In 1024, the temple was raided by Mahmud Ghazni, who took camel-loads of jewels and valuables from here. The Paramara King Bhoj of Malwa and the Solanki King Bhima of Gujarat (Anhilwara) took the initiative to rebuild the temple during 1026-1042. For the fifth time, the wooden structure was replaced with a stone structure by Kumarpal.

Consequently, the temple was destroyed in 1297 by the Sutanat of Delhi and once again in 1394. The last attack was made by the Mughal Emperor, Aurangzeb in 1706. The present temple was built in 1995 by Shree Somnath Trust in the company of the Government of India. Today, Somnath Temple is under the maintenance of Shree Somnath Trust. 

The seven-storied structure of Somnath is tall to 155 feet. Constructed in the Chalukya style of architecture, Somnath Temple reflects the expertise of the Sompuras that are master masons of Gujarat. The temple is sited in such a manner that no mass of land can be seen from Somnath seashore till Antarctica. This information is presented in an inscription, written in Sanskrit, on the Arrow-Pillar of the sea-protection wall at the temple. 

In the words of Dr. Rajendra Prasad (the first president of India), "Somnath Temple signifies that the power of creation is always greater than the power of destruction". The great history and religious importance of Somnath temple attracts pilgrims as well as tourists from India and abroad.

Lord Sri Venkateswara temple

These three statues placed in front of Lord Sri Venkateswara express their devotion to him. It is said that Sri Krishnadevarayalu himself installed these statues on 2nd January 1517 A.D. and then onwards this mandapam has become famous as the Krishnadevarayalu mandapam. Their names are inscribed on the shoulder badges of these statues.

VENKATAPATI RAYALU

By the left side of the main entrance or Mahadwaram there is a tall copper statue with folded hands. This is the statue of Venkatapatirayalu, the king of Chandragiri. He was a generous king who ruled Chandragiri during 1570s and donated many valuable gifts to the deity.

ADDALA MANDAPAM

Twelve feet to the north of Sri Krishnadevarayalu Mandapam, there is a glass porch. Every day at 2 p.m., a service called”Dolotsavam” is performed for the Lord in this glass porch. Historical evidence proves that this seva programme began to be performed in 1831.

RANGANAYAKA MANDAPAM

Just opposite to the glass porch, there is another high rise mandapam called Ranganayakula Mandapam. Due to the Muslim invasions between 1320 and 1369 A.D., the idols of Lord Ranganadha of Srirangapatnam were shifted to Tirumala for safe keeping. Daily prayers and poojas were offered to him in this Mandapam. After the cessation of the Muslim invasions, these statues were once again shifted back to Srirangam. Yet this place has retained the name of Ranganayakula Mandapam to this day.This mandapam is said to have been built by the king of Tirupathi, named Ranganadha Yadava Rayalu. It is in this mandapam that Kalyanothsavams were performed for the Lord. However, due to the increase in pilgrim rush, currently daily Kalyanothsavams are performed in Sampangi Pradakshinam.

TIRUMALARAYA MANDAPAM

Ten feet to the south of the flagstaff, there is another stone pillared pavilion called Tirumalaraya Mandapam. This was built by Saluvanarasimharayalu, the emperor of Vijayanagara, to express his gratitude to the Lord for the help extended towards his victories.

TULABHARAM

All couples begetting children with the blessings of the Lord, offer money in the form of coins, silver, candy and camphor equivalent to the weight of their children, as avowed by them. Even the patients, who are cured of their diseases, express their gratitude similarly. This Tulabharam is arranged in front of the Ranganayakalu Mandapam.

RAJA THODARAMALLU

At about hundred feet from the flagstaff, there are three copper statues of devotees, facing the Lord and saluting him with folded hands. One is that of Lala khemaramu, the other is that of his mother Mata Mohana Devi and the third one is that of his wife Pita Bibi. Lala Khemarumu is a kshatriya known as Raja Todaramallu. He courageously protected Tirumala both from the invasions of Muslims and the British during the seventeenth century. The Lord blessed this family and bestowed them with a place in His temple.

DWAJASTHAMBHA MANDAPAM

Dwajasthambham, -the golden flagstaff is located in the middle of a twenty-pillared square pavilion. To the east of the flagstaff there is an altar and to the northeast, there is granite stone called ‘Kshetrapalakasila’. This pavilion is said to have been constructed in the fifteenth century.During Brahmotsavams, a flag with Garuda’s imprint is hoisted on this flagstaff for extending an invitation to gods and goddesses (Yaksha, Kinnera and Gandharva), to attend this festival. Those wishing to take pooja material or other things into the sanctum, have to perform circumambulation along dwajasthamba including the Lord whenever he is taken outside or returned to the main temple.

BALI PEETAM (ALTAR)

Adjoining the flagstaff is the Bali Peetam or altar. After offering Naivedyam to the Lord and other deities and after exiting through the silver gate, the Prasadam is kept on this altar. It is believed that this food offering is accepted by deities, the angles and the elemental forces.

KSHETRA PALAKA SILA (BIG ROUND STONE)

To the north east corner of the altar, under the flagstaff porch, there is a one and half feet high stone slab. This is called ‘Kshetrapalaka Sila’. It is said that this stone slab marched around the temple for providing security to the Shrine at night.Priests used to keep the keys of the temple on this stone slab every night after closing the temple and collect them to open the temple in the morning, after saluting it.

SAMPANGI PRADAKSHINAM

On entering the precincts of the temple, one first encounters the circumambulation passage called ‘Sampangi Pradakshinam’. The grand circumambulation passage outside the temple is not considered for this purpose. Therefore ‘Sampangi Pradakshinam’ is considered to be the primary one. Earlier Sampangi flower plants (gold flowers, Michelia Champaka) were grown in this pathway for decorating the Lord and hence, the name.

FOUR PILLAR MANDAPAM

Four pavilions in the four corners of ‘Sampangi Pradakshinam’ were built by Saluva Narasimha Raya in 1470 A.D. in the names of himself, his wife and his two sons.

KALYANOTSAVA MANDAPAM

Earlier all wedding festivities of the Lord were celebrated at the pavilion in the ‘Vimana Pradakshinam’. With the increase in the number of the devotees attending the events, these festivities started being held for some time in Ranganayaka Mandapam. Now, the celestial wedding is performed in this Kalyanotsava Mandapam.

UGRANAM (STORE HOUSE)

‘Ugranam’ means Godown. All the pavilions on western side are now being used as store houses. The material used for the Lord’s ‘Puja’ and other rituals is now stored in the North-West corner of the ‘Sampangi Pradakshina’.

VIRAJA RIVER (PROHIBITED AREA)

As per the legend, Viraja, a sacred river of Vaikuntam flows below the lotus feet of the Lord. The well of water in the temple complex is believed to be a part of that holy river. This well is located in front of the Ugranam or store house. Idols are sculpted on the stones used for the inner walls of this well. Hence this well is called ‘toy well’ or ‘Bommala Baavi’.

PADI POTU

The temple kitchen is located in the route of Sampangi Pradakshinam. This kitchen is referred to as ‘Padi potu’. Sweets and savouries like laddoo, vada, appam, dosa, poli, sukhiya, jilebi, and so on, which are offered to the Lord are prepared here in large quantities. To the East of this kitchen is the ‘Flower Chamber’.

FLOWER CHAMBER

The flower chamber was earlier located in the ‘Sampangi Pradakshinam’. All the flowers used for the service of the Lord and other deities are supplied from this flower chamber, which is called ‘Yamunottarai’. This ‘flower chamber’ now stands shifted to ‘Vimana Pradakshinam’. Every morning and evening the Jiyyangars collect the flower garlands prepared in the flower chamber and carry them over their heads to the Lord, after circumambulating the flagstaff amidst blowing trumpets and umbrellas for shading. These flower garlands are presented to the Sanctum for performing the various rituals and poojas to the Lord.

PULA BAVI (WELL OF FLOWERS)

Just opposite and to the north of the flowers chamber is the ‘Pula Bavi-flower well’. All the flowers used for the worship of the Lord are deposited in this well.

VAGAPADI CHAMBER

The long porch on the eastern side and adjacent to the ‘flower chamber’ is Vagapadi chamber. Offerings to the deity are prepared here thrice a day.

VENDI VAKILI-SILVER ENTRANCE

The threshold opposite to the flagstaff is called the ‘silver entrance’. This is also known as ‘Nadimipadi Kavali’. This is the second entrance leading to the Sanctum Sanctorum. Inscriptions say that the construction of the fortifications of this second entrance was started in the 12th century and completed in the 13th century. The doors of this entrance were silver plated on October 1st 1929 A.D. by Sriram Dwarakadas Pharabhani, belonging to Nizam estate. Inscriptions in Hindi and English are found on this entrance.

VIMANA PRADAKSHINAM

Beyond the silver door, the path which circumambulates the main gopura of Ananda Nilaya is known as ‘Vimana Pradakshina’. Early, at the pre-dawn hour, while Suprabhata seva is performed to the Lord, devotees make Anga Pradakshina (rolling one’s body in humility all round the temple as a religious vow). Hence, it is also called Angapradakshina marg. In this pathway one can witness Sri Ranganadha just opposite to the silver entrance, Sri Varadaraja Swami temple, main kitchen, golden well, Ankurarpana Mandapam, Yagasala, Nanala (coins) Parakamani, Notla (Paper notes) Parkamani, Almyrah of Sandal Sreeranganathudu Vendi Vakili paste (Chandanapu ara) darshan of Vimana Venkateswara, cell of records, Sannidhi Bhashyakarulu - the seat of Sri Ramanuja, the temple of Yoganarasimhaswami, Lords’s hundi and the seat of Vishvaksena. All the small temples in this path way are called ‘Chutttu Gullu’(Sub-shrines encircling the main shrine).

SRI RANGANADHA

As soon as we enter the temple through the silver door, we can witness Sri Ranganadha kneeling on Adisesha (serpent). There are small gold plated idols of Sri Varadaraja Swami and Lord Sri Venkateswara Swami on the upper and lower sides of Sri Ranganadha. The angapradakshina commences from here, moves round the Vimana Pradakshinam and comes to an end here. It is said that the Lord loves the devotees doing ‘Porlu dandalu’ and grants them their wishes.

SRI VARADARAJA SWAMI TEMPLE

In the Vimana Pradakshina pathway and at a distance of nine feet to the south of the silver door, is the Varadarajaswami temple. The idol is five feet high with a single pagoda over the shrine. Devotes have to go round this temple on their way to the Lord’s Darshan. The period in which this idol was installed is not known. It symbolises the glory of Varadaraja who is ever merciful and grants boons to the devotees!

GHANTA MANDAPAM

Lord Brahma, the Deva Ganas and Maharshis like SanakaSanandanaSanatkumara wait for the darshan of Lord Sri Venkateswara at the golden gate. Opposite to the golden gate, there is Garuda Mandapam. The pavilion that links the golden gate and the Garuda Mandapam is called ‘Ghanta Mandapam’ or ‘Mahamani Mandapam’.It was constructed in 1461 A.D. by Mallanna, a native of Chandragiri and minister in the Vijayanagara empire. ‘Garudalwar Mandir’ is also located just opposite to the golden gate in this Mandapam.

To the south of the golden gate in this mandap, two big bells are suspended from a wooden log using iron chains. The Brahmin who rings this bell is called ‘Ghantapani’. The ringing of this bell denotes that it is time for the Lord to have his meal.

Historical evidences say that whenever the emperor of Vijayanagara Empire camps at Chandragiri, the bell sounds are relayed to Chandragiri through intermediary bell porches for enabling the emperor to have his food thereafter. Because of these bells, this porch has become famous as ‘GhantaMandapam’. Keeping the legacy live, even today in Tirumala, many devotees have their food only after the bell stops ringing.

GARUDA MANDAPAM

Just opposite to the golden gate and facing the Lord there is a six feet high statue of Garuda saluting the Lord with folded hands. Every day at the pre-dawn hour, Suprabhatham is recited in the place between the golden gate and the statue of Garuda. The Lord sitting on the golden throne in this mandapam, listens to the recital of almanac and the submissions of receipt and expenditure account of the previous day.

JAYA-VIJAYA

On either side of the golden gate, there are Jaya and Vijaya, the chief guards of the Lord, holding a conch, a disc and a mace respectively. There is a ten feet high wooden grill around these statues. These two devout servants guard the sanctum sanctorum of the Lord round the clock.

BANGARU VAKILI (GOLDEN DOOR)

The most important entrance for going into the sanctum sanctorum is this golden gate. Here, the stone frame of the entrance and the porches of Jaya - Vijaya on either side are gold plated and hence this name.At night these doors are closed methodically in a pre-conceived fashion. In the same way, they open this bolt from outside, in the morning. The pristine beauty of the Lord can be witnessed from this point.

SNAPANA MANDAPAM

The pavilion that you notice after crossing the golden gate is known as ‘Snapana Mandapam’. Every day after Thomala Seva, the idol of Koluvu Srinivasa Murthy is brought here and placed on the golden throne and his court is held. During this court, almanac is recited; the affairs of the day, the details of income and the expenditure of the previous day are reverentially presented to the Lord. The golden throne that is used during this court is stored in the adjacent grilled chamber.There are two rooms on either side of the golden door. In the right side room, the Hundi collections are kept. In the left side room, the Lord’s jewels that is, the crown, the conch, the chakra, necklaces made of diamonds, gems, rubies, emeralds, sapphires, topazes and so on are kept.

LORD RAMA’S MANSION (RAMULAVARI MEDA)

Immediately crossing Snapana Mandapam, there is a very narrow passage, which is known as Lord Rama’s mansion. There are two raised platforms on either side of this passage. Earlier, idols were kept on these platforms. At present these idols are placed inside the room. Yet the name has remained the same.

SAYANA MANDAPAM

In this room, there is a golden cot with silk mattress hung by silver chains on which the Lord’s idol is seen relaxing, hence the name ‘Sayana Mandapam’. In this room the offerings are kept in front of the Lord. These offerings are never taken beyond this threshold of the Sanctum.

KULASEKHARA PADI

The threshold in front of the Lord is called Kulasekhara Padi. Kulasekhara was a Vaishnava devotee. He had made a humble request to the Lord, to transform him to a stone threshold in front of Lord so that he will have a glimpse of divine beauty every day! Hence, this threshold was named after him.

SANCTUM SANCTORUM

The spot where Lord Sri Venkateswara’s self-inducted statue is located in the Sanctum Sanctorum is called Ananda Nilayam. Earlier there used to be a Pradakshina (circumambulation) passage around this Ananda Nilayam. A wall was built around this sanctum and the Vimanam in between 1244 A.D. – 1250 A.D. Over a period of time, with the construction of Ananda Nilayam, Sayana Mandapam and Lord Rama’s Mansion, this passage around the Sanctum was closed.

BHOGA SRINIVASA MURTHY

In Ananda Nilayam, the ever beautiful idol is that of Bhoga Srinivasa Murthy. This silver idol was presented to the temple by a Pallava queen ‘Saama Vaayi’ (Perundevi) in 614 A.D. She rejoiced in decorating the idol with many ornaments. During the ‘Ekanta Seva’ at the end of the day, it is the privilege of Bhoga Srinivasa to go to bed on a silk mattress. During ‘Suprabhata Seva’ in the morning, this idol is removed from the silk mattress and kept at the foot of the main deity. That means, Bhoga Srinivasa Murthy acts as presiding deity since the main deity is huge and immovable.

KOLUVU SRINIVASA MURTHY

Every morning Koluvu Sreenivasa Murthy is seated on the golden throne in Snapana Mandapam and almanac (Panchangam) is read out to him. All the details of the day like tithi, nakshatra, yoga and the information about different sevas are given to him. Then the treasury clerk humbly presents to him, the income and expenditure account of the previous day. This is done is Snapana Mandapam before the dusk and it is done in Ghanta Mandapam after dawn.

UGRA SREENIVASA MURTHY

In the bygone days, the processional deity of Ugra Sreenivasa Murthywas taken out for procession during festivals. When this idol was taken in a procession on a particular day, strange, unusual and alarming incidents took place. After these incidents, procession with this idol was stalled from 1330 A.D.However, today, the procession with Ugra Sreenivasa Murthy takes place in Tirumala only during Kaisika Dwadasi day before sun rise.

MALAYAPPA SWAMI

There is a popular anecdote regarding Malayappa Swami being made a processional deity in place of Ugra Sreenivasa Murthy.During the 13th century when Ugra Srinivasa Murthy was being taken in a procession, strange and disturbing incidents took place. Then all the devotees prayed to the Lord and sought his protection. Then the Lord voiced his words through a devotee and advised them not to use these idols for processions in future and told them to use other idols, which are available at a place called ‘Malayappa-Kona’. The priests searched that place and brought the idol of the Lord. As the idol was found in Malayappa Kona, the deity was called Malayappa Swami. While the idol of Lord Sri Venkateswara is agranite Swayambhu, Malayappa Swami’s idol is made of metal alloy - Panchaloha.

After the main deity, Malayappa Swami has a special place of pride as he is considered as the processional diety - Utsava Murthy, of Lord Sri Venkateswara. It is a great feast to the eyes to see Malayappa Swami along with his consorts, Sreedevi and Bhudevi during processions, festivals and all Sevas.

SRI SUDARSHANA CHAKRA TALWAR

In Tirumala, we witness Sri Sudarshana Bhagwan’s presence in the right hand of the Lord in the varied forms of light and processional deity. The important role played by Sudarshana Bhagavan, in punishing the evil and protecting the devotees of the Lord, is commendable. He takes the responsibility of protecting the devotees coming to Tirumala as well as their safe passage.

SEETARAMALAKSHMANULU

It is said that while Lord Sri Rama was in exile in Threthayuga, he and Lakshmana came to Tirumala in search of Seeta. As a mark of their visit, their statues are kept in the temple. As they were in exile, their statues reflect their simplicity and are devoid of any ornaments.

RUKMINI KRISHNULU

Mythology endorses that Lord Sri Venkateswara is none other than Lord Sri Krishna of Dwaparayuga. In the month of (Dhanurmasa) January while Ekantaseva is performed, Lord Krishna is made to sleep on the silk mattresses in place of Bhoga Srinivasa Murthy. During this month, Suprabhatham is not recited. Thiruppavai Pasurams related to Sri Krishna (penned by Andal Sri Goda Devi) alone are sung for waking up the Lord.

SALAGRAMALU

Salagramas are black spherical stones, usually found in the sacred river Gandaki. What makes them so sacred is that they have lines ingrained on them, which resemble the shape of Sankhu and Chakra. These are worshipped by Vaishnavites as a form of Vishnu.In Ananda Nilayam apart from the Lord, four big special Salagramas and several small Salagramas receive abhishekam and archana every day. All these Salagramas are placed in a silver vessel worshipped at the foot of the deity.

PRADHANA VANTASHALA –POTU (MAIN KITCHEN)

This kitchen is a very ancient one. All prasadams offered to the Lord are prepared here with pure ghee. Nowhere in the world are ‘Prasadams’ of this magnitude prepared.

VAKULA DEVI

It is believed that Vakuladevi, the Foster mother of Lord Srinivasa, supervises the preparation of food relished by her son. To this day, she continues to supervise the preparation of all the prasadams for the Lord. So a peep hole is made in the wall for her to oversee the preparations in the kitchen.

BANGARU BAVI

The well beside the main kitchen is known as ‘Bangaru bavi’. The water from this well is used for Abhishekam, Archana and cooking food for the Lord.

ANKURARPANA MANDAPAM

To the south of ‘Bangaru Bavi’ and opposite to the main kitchen is located ‘Ankurpana Mandapam’. Ankurapanam means the sprouting of nine varieties of grains usually called ‘Navadhanyam’ before every festivity and every celebration.The idols of Anantha, Garuda, Vishwaksena (Lord’s army chief) and the idols of Lord Sri Rama’s attendant deities Sugreeva, Angada and Anjaneya are kept in this Mandapam and priests offer Teertham (holy water) to the devotees in this place.

YAGASALA

The room adjacent to Ankurarpana mandapam is the Yagasala, where all yagas and homams (sacrificial fire) have been performed since ages. But at present they are performed in the Kalyana mandapam located in Sampangi Pradakshina. However, during Brahmotsavams these rituals are performed in the Yagasala.

NANALA PARAKAMANI (COINS COUNTING ROOM)

This was gradually constructed over a period of time by the representative of Vijayanagara Empire named Chennappa in 1586 A.D. Actually, this was the place where Kalyanotsavams were performed 50 years ago. Due to pilgrim rush, this has been shifted to ‘Sampangi Pradakshinam’.

NOTLA PARAKAMANI (COUNTING ROOM FOR PAPER CURRENCY)

The present location where the counting process was carried out was earlier used for several purposes. At present, this mandapam is used for counting currency notes. Transparent glasses are arranged around this place for the pilgrims to witness the process of counting.

CHANDANAPU ARA

The sandal paste required for daily usage of the Lord is prepared here. Large stones are arranged here for making sandal paste from sandal wood. The sandal paste required for various festivals throughout the year is prepared here.

ANANDA NILAYA VIMANAM

The golden abode of the Lord of the universe is Ananda Nilaya. It is the sacred place where the Lord Sri Venkateswara receives his ‘Poojas’ and ‘archanas’. The golden gopuram on this Ananda Nilaya is the ‘Ananda Nilaya Vimana’, which is also known as Bangaru Gopura Vimanam. As per mythology, Garuthmantha (Vehicle of Sri Vishnu) brought this Ananda Nilaya Vimanam from Vaikuntam (the celestial abode of Vishnu) and consecrated it in this sacred place as desired by Lord Sri Vishnu. This Golden Gopuram carries 64 images of various deities of Hindu mythology.

VIMANA VENKATESWARA SWAMI

Lord Sri Venkateswara ingrained on Ananda Nilaya Vimanam is said to be as powerful and sacred as the main deity in the sanctum. Even if devotees fail to have the darshan of the Lord, they could have a glimpse of Vimana Venkateswara and derive the same benefits usually associated with the darshan of the main deity in the Sanctum.

RECORD ROOM

Close to the place from where Vimana Venkateswara is seen, is the record room with a sign board fixed atop. In this room all records and files pertaining to the ornaments of the main and processional deity are kept. All details of the weight and value of the silverware and gold ornaments are recorded in the ledgers.

RECITAL OF VEDAS

Beginning from the record room, Veda pundits seated there, melodiously recite the slokas from the Vedas.

SABHA ARA (SHELF)

All the articles such as the golden umbrellas, silver torches, camphor plates and silk robes used in Lord’s processions are kept here. The golden cot with silk mattress used for the Ekanta Seva of the Lord is also stored here.

SANKEERTANA BHAANDARAM (TREASURY OF SANKEERTANAS)

Adjacent to the Sabha Ara, there is the treasury of Sankeertanas. There are two statues on either side of this room. One is of the great Saint Poet Sri Tallapaka Annamacharya, who has penned over 32,000 songs in praise of the Lord Sri Venkateswara, while the other one is of his elder son Tallapaka Peda Tirumalacharyulu, who had also paid literary tribute to Lord Sri Venkateswara. All these songs were inscribed on copper plates and kept in safe custody in this place.

During 1525-30 A.D. the construction of the trove was completed and all the works of Tallapaka family were inscribed on copper plates and safely kept in Tallapaka shelf. It is said that all hymns originally written were on Palmyra leaves and later on transcribed on copper plates by his son Tirumalacharya.

The king of Vijayanagara dynasty, Achyutarayalu, helped in constructing this treasure trove and preserved the great works of Annamayya. The corpus of Tallapaka came to light when great scholar, epigraphist Sri Sadu Subramanya Sastri, who worked in different posts in TTD from 1919 to 1946 A.D., sighted the inscriptions.

Due to his efforts, today nearly eleven thousand Annamacharya Sankeertans have seen the light of day and TTD has been composing the music for these musical notations with eminent musicians and released many CDs and DVDs in the recent times.

SANNIDHI BHASHYAKARULU

Just beside Tallapaka treasure trove there is a pavilion called ‘Sannidhi Bhashyakarulu’. There is a granite statue of Sri Ramanuja in this pavilion. Sri Ramanuja in his long life of 120 years (1017 – 1137 A.D.) visited Tirumala thrice. In those days, very reluctant to trample the holy hills with his feet, he climbed the seven hills on his knees. It is said that he took rest at a point now known as ‘Mokali Mitta’. In his memory, a temple was constructed here. He has rendered Yeoman service to the Lord at Tirumala.

Sri Ramanuja streamlined the rituals of the temple as per Vaikhanasa Agama and handed it over to the posterity.

YOGA NARASIMHASWAMI SANNIDHI

It is said to have been built between1330 A.D. – 1360 A.D. The abandoned statue of Yoga Narasimha Swami, lying at some place on Tirumala hills was brought by Sri Ramanujacharya to the temple and was consecrated inside the shrine. Lord Narasimha Swami is usually an aggressive Half-Man and Half-Animal form of the Lord. He is seen sitting in meditating posture which is unique to this temple. It is also said that while sitting in front of this statue, Annamayya had written some hymns on the Lord.

SANKUSTHAPANA STHAMBHAM

King Thondamanu laid the foundation at this place before the commencement of construction of Ananda Nilaya Gopuram and other associated works.

PARIMALAM ARA (SHELF OF FRAGRANCE)

The fragrant shelf is seen on the way from Sankusthapana Stambam. The perfumes and aromatics used for the Lord are sent from this place. Devotees believe that their wish will be fulfilled if they write their wish on this sacred stone.

SRIVARI HUNDI

After having the darshan of the Lord, the devotees deposit their offerings to the Lord in this Hundi. The temple complex was modified many times for creating easy passage to the devotees. But the hundi was never shifted from this place as it is believed that “Sri Chakra Yantra” (the holy instrument which invokes all riches)lies underneath the main hundi.

BANGARU VARALAKSHMI

For the benefit of devotees depositing their offerings in the hundi, a tall statue of Bangaru Varalakshmi (Golden Varalakshmi) is arranged on the left side wall. It is believed that Goddess Varalakshmi grants a lot of wealth to all the devotees who fulfil their vows.

KATAHA THEERTHAM

To the left side of the exit of Hundi room and opposite to Annamacharya treasure trove there is ‘Kataha Theertham’, a tub like structure. This is where the Abhisheka theertham (holy water) emanating from the feet of the Lord is collected.

VISHWAKSENA

After coming out from hundi enclosure, one can see the small temple of Vishwaksena on the left side. He is the army chief of Lord Sri Venkateswara. The processional statue of Vishwaksena, which plays an important role during festivals, is at present placed in Ankurarpana mandapam.

MUKKOTI PRADAKSHINAM

Mukkoti Pradakshinam begins at Lord Rama’s mansion that is beyond Ghanta Mandapam in the pathway of Vimana Pradakshina. This is kept open every year on the days of Vaikunta Ekadasi and Vaikuntha Dwadasi. On these days, this passage is kept open from midnight to midnight. The doors of this passage are called ‘Vaikunta Dwaram’.

ANANTALWAR CROWBAR

Anantalwar, one of the chief disciples of Sri Ramanujacharya, pioneered “Pushpa Kainkaryam” in Tirumala and became one of the prominent and ardent devotees of Lord Sri Venkateswara.

However, to examine his devotion, the Lord went on to test him. In this interesting story, Sri Ramanujacharya, the great Acharyapurusha who revived the rituals in Tirumala temple, while teaching his disciples about the greatness of Tirumala told them that, the Lord was very fond of adorning himself with flowers as he is “Alankarapriya”. He asked if anyone of them was capable of growing a garden in Tirumala braving the chill climate and insects, to present flowers to the Lord. Anantalwar, said he is prepared to do that and went to Tirumala with his wife.

In a bid to develop a beautiful garden for the Pushpakainkaryam of the Lord, Anantalwar initially wanted to dig a pond to water the plants. He wanted to do this task without taking the help from outsiders. The Lord felt happy about the couple’s dedication and decided to help them. He approached the couple as a 12-year old boy but Anantalwar refuseds to take his help.

On a fine day, the boy helped Anantalwar’s wife who was a full term pregnant and this gesture of the boy enraged Anantalwar. Out of anguish, he threw a crowbar upon the boy. It hit the chin of the boy and blood oozed and dripped off his chin. When Anantalwar went to the temple to worship the Lord, he saw blood oozing out from the chin of the Lord and then he realised, the boy was none other than the Lord himself.

He realised his mistake and immediately applied camphor to the Lord’s chin. Lord was pleased with his devotion and said that the scar will remain forever and camphor will be applied to cover the mark. This ritual is carried out even today.

The crowbar used by Anantalwar is also displayed on the Northern Wall of the main entrance.Sri Bhu Varaha Swamy temple is located to the north of Lord Sri Venkateswara Swamy temple, on the banks of Swami Pushkarini in the sacred Seven Hills. The presiding deity is Sri Bhu Varaha Swamy, an incarnation of Lord Sri Maha Vishnu in the form of a wild boar. Sri Bhu Varaha Swamy was residing on the hills when Lord Sri Venkateswara Swamy descended onto the earth.

TEMPLE LEGEND

According to the legend, Tirumala was originally called “Adivarahakshetra” (dwelling place of Sri Bhu Varaha Swamy). According to Brahmapurana, it is Lord Sri Bhu Varaha Swamy who granted land to Lord Sri Venkateswara Swamy on his request to reside in the sacred Seven Hills. As a thanks giving gesture, Lord Sri Venkateswara Swamy had gifted the privilege of first darshan and first naivedyam to Lord Sri Bhu Varaha Swamy. Thus as per the tradition, it is imperative for the pilgrims to pay a visit to Sri Bhu Varaha Swamy before visiting Lord Sri Venkateswara Swamy.Temple Timings: Every day from 5:30 AM to 12 PM and 5 PM to 9 PM.

SPECIAL ABHISHEKAM:

Special abhishekam is performed every year, to the presiding deity in the holy month of Shravana, with the advent of the Shravana star on the auspicious occasion of Varaha Jayanthi.